November 14: “My Lord, What a Morning/Mourning”

The double meaning we find here does more than simply demonstrate just some mild poetic confusion about a hymn (or elucidate the trickiness of deploying a homonym in the oral-aural atmosphere of the worship environment).  I believe it also elucidates a deeper tension at the heart of the Christian faith. 

November 21: “Come Now, O Prince of Peace”

What if peace–the process–isn’t very peaceful at all? What if peace leads us into recognizing the ways in which we are caught in systems that keep us trapped in feedback loops of violence, violence against bodies, minds, souls, nations, creation?

December 5: “Freedom is Coming”

The song “Freedom is Coming” triumphantly declares a transformation that is both happening and not yet fully realized. As a freedom-song of the South African anti-apartheid movement, and eventually a freedom-song sung throughout the world, “Freedom is Coming” is all about helping people to imagine something that can be but isn’t yet.

December 12: “When the Poor Ones”

Fruited and unfruited trees both grow within each of us, and John’s urgency is not directed toward certain individuals, but toward everyone, calling us all to reveal to ourselves the patterns of behavior, habits of thought, and spiritual practices that undergird our daily choices.

December 19: “Canticle of the Turning”

The effortless speed and lyrical density of “Canticle of the Turning” remind us that the very choice to live in Advent hope is an act of brinkmanship that rivals Mary’s own. In this last week of the season, there is no better time to enjoy the adrenaline rush of irrational faith.